Ludovica began her career in 2016 with Marina Bassani at Teatro Selig, and continued to deepen her expertise in visual storytelling and performing arts while working with Fondazione Teatro Piemonte Europa – Teatro Astra, managing logistics and organization for major events such as the Teatro a Corte Festival in Turin and Venaria Reale.
Her training progressed through active involvement in the seasonal programming of Teatro Astra, where she contributed to digital communication and audience experience, followed by collaborations with Teatro Stabile di Verona (2018) and Fondazione Luzzati – Teatro della Tosse in Genoa (2019–2020). In these roles, she focused on targeted communication strategies and audience engagement, especially among younger demographics.
Parallel to her professional work, she pursued a second Master’s degree at the University of Milan in Digital Communication & Public Opinion, driven by a strong interest in communication strategy and scientific research related to audience behavior and public perception. In 2022, she graduated with honors (110 cum laude), presenting a thesis, under the supervision of professors Alessandro Gandini and Federico Boni, on advanced humanity and artificial limbs titled: "How embedded systems and prosthetic technology affect identity and the perception of the self."
She later attended a Level I Master in Data Science, completing the full course program, though she did not obtain the final qualification, and went on to complete a Level II program at La Sapienza University in Rome, specializing in social research methodology.
In 2025, Ludovica attended an Executive Program for CXOs at the University of Cambridge Judge Business School, strengthening the strategic and organizational dimensions of her work at the intersection of research, innovation, and creative leadership.
Her research activity focuses on embodiment, identity, aesthetics, and agency in technologically mediated environments, and is articulated through both theoretical and practice-based outputs. In 2025, she published the peer-reviewed article “From the Body to the Self: Identity, Aesthetics, and Agency in the Age of Human Augmentation” in Umanesimo Tecnologico, examining how contemporary technologies evolve from tools of enhancement into constitutive elements of personal identity.
Alongside her research, Ludovica is the Founder and Chief Marketing Officer of Onymous Studios, a multimedia production and research-oriented studio developing projects at the crossroads of visual strategy, immersive media, and emerging technologies. She is also co-founder and researcher of the Helium collective, where she develops installation-based and experiential works spanning medical, performative, and environmental contexts.
Her practice positions artistic production as a method of inquiry, proposing immersive environments not as spectacles, but as critical spaces where human perception, technology, and social structures can be observed, tested, and reimagined.
Since 2020, she has also been actively engaged in training and education for schools and companies, collaborating with organizations such as Techstation Padova and Umana Forma. She has conducted training and consulting for a range of companies across various sectors, including:
Afinox, Alias Design, AmorimCork, ATAP, CAMEC, COGES, DalBello, Dekographics, ETRA, FaitalPRO, Geovest, Gortani, Husqvarna, InfoGestWeb, Kask, KEMIN, Macron, Magicoral – Maliparmi, Missoni, Pasuto, Poppi Forgini Group, Sarno, SYES, Treesse, Vivienne Westwood, Zanin1895.
Today, she finds creative solutions in the field of Visual Strategy for institutions, companies, and professionals, developing projects where art, theatre, and cinema converge with emerging technologies. She also conducts research on the intersection between humans and machines, particularly in the field of advanced humanity.
She met Youssef DaLima while working on the theatrical and experiential project Affectus Animi, a production exploring the relationship between machines and artificial emotions, developed in collaboration with MUSME – Museum of Medicine in Padua and TPR – Teatro Popolare di Ricerca. This encounter marked the beginning of a creative partnership that would later lead to the founding of Onymous Studios, where she is currently co-founder and CMO.