Ludovica began her career in 2016 with Marina Bassani at Teatro Selig, and continued to deepen her expertise in visual storytelling and performing arts while working with Fondazione Teatro Piemonte Europa – Teatro Astra, managing logistics and organization for major events such as the Teatro a Corte Festival in Turin and Venaria Reale.
Her training progressed through active involvement in the seasonal programming of Teatro Astra, where she contributed to digital communication and audience experience, followed by collaborations with Teatro Stabile di Verona (2018) and Fondazione Luzzati – Teatro della Tosse in Genoa (2019–2020). In these roles, she focused on targeted communication strategies and audience engagement, especially among younger demographics.
Parallel to her professional work, she pursued a second Master’s degree at the University of Milan in Digital Communication & Public Opinion, driven by a strong interest in communication strategy and scientific research related to audience behavior and public perception. In 2022, she graduated with honors (110 cum laude), presenting a thesis, under the supervision of professors Alessandro Gandini and Federico Boni, on advanced humanity and artificial limbs titled: "How embedded systems and prosthetic technology affect identity and the perception of the self."
She later attended a Level I Master in Data Science, completing the full course program, though she did not obtain the final qualification, and went on to complete a Level II program at La Sapienza University in Rome, specializing in social research methodology.
Since 2020, she has also been actively engaged in training and education for schools and companies, collaborating with organizations such as Techstation Padova and Umana Forma. She has conducted training and consulting for a range of companies across various sectors, including:
AmorimCork, ATAP, CAMEC, COGES, DalBello, Dekographics, ETRA, FaitalPRO, Geovest, Gortani, Husqvarna, InfoGestWeb, KEMIN, Macron, Magicoral – Maliparmi, Missoni, Sarno, SYES, Treesse, Vivienne Westwood, Zanin1895.
Today, she finds creative solutions in the field of Visual Strategy for institutions, companies, and professionals, developing projects where art, theatre, and cinema converge with emerging technologies. She also conducts research on the intersection between humans and machines, particularly in the field of advanced humanity.
She met Youssef DaLima while working on the theatrical and experiential project Affectus Animi, a production exploring the relationship between machines and artificial emotions, developed in collaboration with MUSME – Museum of Medicine in Padua and TPR – Teatro Popolare di Ricerca. This encounter marked the beginning of a creative partnership that would later lead to the founding of Onymous Studios, where she is currently co-founder and CMO.